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Captain Leale Martelli - The Odyssey in the Realms of Time
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<blockquote data-quote="LITTLE DOCTOR" data-source="post: 142437" data-attributes="member: 7165"><p>Continuing to talk about the child, we must add that the appearance at the Venetian ship was not the only one. It is said that in the fourth century, in the same area, the child appeared to St. Augustine while he was meditating on the beach. It is no coincidence that the Templars have become devotees of St. Augustine, to the point of wearing the cloaks of the Augustinian monks as a sign of recognition of the order. The history of the apparition to St. Augustine also fascinated a lot Leale Martelli. While staying at Valle Benedetta, Leale found inside a church apartment writings belonging to a parish priest who served in the early 1900s, a certain Don Egidio Coppelli.</p><p>Note: it is thought that the book written in the vulgar found by Leale Martelli in the Valle Benedetta church is indeed his work, or at least by him bound and guarded.</p><p>As I said, Leale found this document written by Don Egidio Coppelli, where the places where it was possible to find evidence of the child apparition to St. Augustine were shown. Leale Martelli wanted to go to check these places and took Carla with him to arouse less suspicion. Leale found the first evidence in San Gimignano in the choir of the church dedicated to St. Augustine, where there was a fresco of the painter Benozzo Gozzoli which described in minute detail the child's appearance to St. Augustine. This painting was of great historical importance because in addition to the appearance described very well the landscape around the St. Jacob's Church. At that time, as reported on the fresco, those territories belonged to the mountains of Pisa, Livorno did not yet exist.</p><p>The second test was in another fresco painted by Bernardino Poccetti. This painting had to be at the church of Santo Spirito in Florence. For obvious reasons, Lealecould not go to Florence in person, therefore commissioned Carla to go looking for it and photograph it. Carla had a friend who had worked as a waitress in Livorno at Villa Trumpy, home of Vivi Gioi, an Italian film actress. This friend lent to Carla the camera that is said belonged precisely to Vivi Gioi.</p><p>Carla went to Florence without Loyal, she found the fresco near the sacristy of the church, but unfortunately, because of her inexperience, she could not photograph the fresco. It is said that even forgot to put the roller photo. For this reason Leale could never see the fresco, but he trusted the word of Carla.</p></blockquote><p></p>
[QUOTE="LITTLE DOCTOR, post: 142437, member: 7165"] Continuing to talk about the child, we must add that the appearance at the Venetian ship was not the only one. It is said that in the fourth century, in the same area, the child appeared to St. Augustine while he was meditating on the beach. It is no coincidence that the Templars have become devotees of St. Augustine, to the point of wearing the cloaks of the Augustinian monks as a sign of recognition of the order. The history of the apparition to St. Augustine also fascinated a lot Leale Martelli. While staying at Valle Benedetta, Leale found inside a church apartment writings belonging to a parish priest who served in the early 1900s, a certain Don Egidio Coppelli. Note: it is thought that the book written in the vulgar found by Leale Martelli in the Valle Benedetta church is indeed his work, or at least by him bound and guarded. As I said, Leale found this document written by Don Egidio Coppelli, where the places where it was possible to find evidence of the child apparition to St. Augustine were shown. Leale Martelli wanted to go to check these places and took Carla with him to arouse less suspicion. Leale found the first evidence in San Gimignano in the choir of the church dedicated to St. Augustine, where there was a fresco of the painter Benozzo Gozzoli which described in minute detail the child's appearance to St. Augustine. This painting was of great historical importance because in addition to the appearance described very well the landscape around the St. Jacob's Church. At that time, as reported on the fresco, those territories belonged to the mountains of Pisa, Livorno did not yet exist. The second test was in another fresco painted by Bernardino Poccetti. This painting had to be at the church of Santo Spirito in Florence. For obvious reasons, Lealecould not go to Florence in person, therefore commissioned Carla to go looking for it and photograph it. Carla had a friend who had worked as a waitress in Livorno at Villa Trumpy, home of Vivi Gioi, an Italian film actress. This friend lent to Carla the camera that is said belonged precisely to Vivi Gioi. Carla went to Florence without Loyal, she found the fresco near the sacristy of the church, but unfortunately, because of her inexperience, she could not photograph the fresco. It is said that even forgot to put the roller photo. For this reason Leale could never see the fresco, but he trusted the word of Carla. [/QUOTE]
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