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Captain Leale Martelli - The Odyssey in the Realms of Time
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<blockquote data-quote="LITTLE DOCTOR" data-source="post: 197422" data-attributes="member: 7165"><p>All these years I've written in a language that doesn't belong to me and that I don't love and that I don't intend to fully understand, but it was the only possible way that would allow me to explain without being completely understood. The time was not yet ripe to speak too clearly. The hermit was still too powerful and there were too many fools who read and allowed themselves to judge. But now that many prophecies have come true and others are coming true, now that San Felice has returned together with the Blessed Virgin, now that the sacred relics are safe, now that Villa Huygens has a new owner, now that finally the monastery della Sambuca will be restored to its former glory, now that the battle for Constantinople is about to begin and will see Hagia Sophia as its first victim, who will fall to make the Ottoman Empire rise from the ashes, which will become stronger and bigger, until it finds ever stronger and bigger enemies who will revive Constantinople and bring peace among the peoples, until what belongs to the gods can return to the great inverted pyramid. but this is another story that others will tell after me... but now I think it more appropriate to go back to talking about the Martelli-Shimoi code and this time in a more understandable way. The code reports that the soldier Emilio Collaveri, knowing he had to leave for the front, he decided to steal a sacred relic from the sacristy of the Valle Benedetta church to protect him during the war and prevent him from dying in battle. The soldier stole the relic without even the priest at the time, a certain Don Fortunato Canigiani being able to notice it immediately. Moreover, the practice of stealing relics was widespread among the inhabitants of the town. Unfortunately with this practice some sacred relics, over time, have been lost or forgotten at the bottom of some drawer in the houses of the inhabitants of the town. In fact, a census made around 1910 by the parish priest Don Eligio Coppelli, then in office, revealed that there were 46 relics. Today we only have news of half. Some of these relics were the human remains of saints, blesseds, popes, kings. others consisted of pieces of tunics, dresses, sandals. Furthermore, among them there were relics of such importance that they could even change the history of Christianity. For now I cannot address the issue, I will when the time comes. There were many topics covered in the Martelli-Shimoi code, for example a curious anecdote is described that seems to have happened during the great council that took place in Florence in 1439, a guest of the Medici during this event was a certain Vlad III of Wallachia , better known as Vlad III Draculea. according to the Martelli-Shimoi code, Dracula, on the occasion of this council, was a guest for a few days in the Martelli house in Florence. The Martelli family offered room and board to Vlad and his companions. In the code it is reported that Vlad was then only a child. In support of this bizarre theory, the Martelli-shimoi code provides tangible proof of a painting where Dracula was depicted. The painting in question would now be exhibited in Palazzo Medici. The fresco would be attributed to Benozzo Gozzoli and has the title "the ride of the magi". In the painting, however, the painter would have depicted an adult Dracula. The reason for this choice seems to be linked to the fact that an adult gives more importance to the work than a child. An interesting anecdote that is told, tells that the very young Dracula was a very restless child and that he never wanted to go to bed. The Hammers to "convince" the young Dracula to lie down told him that if he did not go to sleep, the Turks would come and take him away ...</p></blockquote><p></p>
[QUOTE="LITTLE DOCTOR, post: 197422, member: 7165"] All these years I've written in a language that doesn't belong to me and that I don't love and that I don't intend to fully understand, but it was the only possible way that would allow me to explain without being completely understood. The time was not yet ripe to speak too clearly. The hermit was still too powerful and there were too many fools who read and allowed themselves to judge. But now that many prophecies have come true and others are coming true, now that San Felice has returned together with the Blessed Virgin, now that the sacred relics are safe, now that Villa Huygens has a new owner, now that finally the monastery della Sambuca will be restored to its former glory, now that the battle for Constantinople is about to begin and will see Hagia Sophia as its first victim, who will fall to make the Ottoman Empire rise from the ashes, which will become stronger and bigger, until it finds ever stronger and bigger enemies who will revive Constantinople and bring peace among the peoples, until what belongs to the gods can return to the great inverted pyramid. but this is another story that others will tell after me... but now I think it more appropriate to go back to talking about the Martelli-Shimoi code and this time in a more understandable way. The code reports that the soldier Emilio Collaveri, knowing he had to leave for the front, he decided to steal a sacred relic from the sacristy of the Valle Benedetta church to protect him during the war and prevent him from dying in battle. The soldier stole the relic without even the priest at the time, a certain Don Fortunato Canigiani being able to notice it immediately. Moreover, the practice of stealing relics was widespread among the inhabitants of the town. Unfortunately with this practice some sacred relics, over time, have been lost or forgotten at the bottom of some drawer in the houses of the inhabitants of the town. In fact, a census made around 1910 by the parish priest Don Eligio Coppelli, then in office, revealed that there were 46 relics. Today we only have news of half. Some of these relics were the human remains of saints, blesseds, popes, kings. others consisted of pieces of tunics, dresses, sandals. Furthermore, among them there were relics of such importance that they could even change the history of Christianity. For now I cannot address the issue, I will when the time comes. There were many topics covered in the Martelli-Shimoi code, for example a curious anecdote is described that seems to have happened during the great council that took place in Florence in 1439, a guest of the Medici during this event was a certain Vlad III of Wallachia , better known as Vlad III Draculea. according to the Martelli-Shimoi code, Dracula, on the occasion of this council, was a guest for a few days in the Martelli house in Florence. The Martelli family offered room and board to Vlad and his companions. In the code it is reported that Vlad was then only a child. In support of this bizarre theory, the Martelli-shimoi code provides tangible proof of a painting where Dracula was depicted. The painting in question would now be exhibited in Palazzo Medici. The fresco would be attributed to Benozzo Gozzoli and has the title "the ride of the magi". In the painting, however, the painter would have depicted an adult Dracula. The reason for this choice seems to be linked to the fact that an adult gives more importance to the work than a child. An interesting anecdote that is told, tells that the very young Dracula was a very restless child and that he never wanted to go to bed. The Hammers to "convince" the young Dracula to lie down told him that if he did not go to sleep, the Turks would come and take him away ... [/QUOTE]
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